In Coralie Fargeat's new feminist terror movie The Substance, harmful societal beauty criteria are actually the genuine creatures. They (female objectification, the fingertip of "the outdated," the expansion of a market improved body alteration) feed a creature of a cycle that leads Demi Moore's fading television individual character Elisabeth https://bigredonevideo.tusblogos.com/30019835/margaret-qualley
The Substance (2024)
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